LIGTING: The lighting for the entire opening is mostly light and bright. It is also kept very simple and natural i.e. effects or techniques are not used. This is to give the atmosphere some reality.
CAMER ANGLES/SHOTS: For most of the sequence the camera is close up or extreme. This is to show only what we need to see with the smallest detail; for us to connote the suggestion. Also at time the camera slides into focus to give a significant shot for example the blood against is skin.
SOUND: The backing track is ironically very rhythmic and upbeat. It gives a completely sarcastic effect from other thrillers. The music at some points is upbeat then slows down to again retrieve pitch.
EDITING: The shot of Dexter eating breakfast or freshening up in the morning as a daily routine are cut together to portray a normal yet sinister image. The snapshots of him waking up are edited together to form a slideshow of his morning. This technique was used to keep us guessing to what is actually happening and is more of an oxymoron.
Dexter fits the thriller convention by using daily routine seem like something much more devious. For example the razor cut with the blood dripping is something ordinary yet looks frightful. Also the strange shots when the camera is not focused give the mysterious effect that something is out of place. We see an ordinary routine foreshadow the truth behind this character that seems like someone we could relate to.
LIGHTING: The lighting is dim and dull most of time and in some shots a spotlight is used to show significance of one particular thing. Also the lighting is in intense colour such reds and pinks this is to reflect the apprehensive atmosphere.
CAMERA ANGLES/SHOTS: The title sequence opens with a montage of extreme close up i.e. the eyes and lips. These shots of the face’s feature are used as signifiers to express emotion and inner anxiety. The shots then lead into rotating shapes and images creating a sense of curiosity and suspense. The rotating shapes are shown in medium, close up, headroom and zoom shots to really emphasise their effect.
SOUND: The backing track of Vertigo is very conventional its start slow then builds up parallel to our tension. There is appoint in the track that it keeps building up and we expect a climax to be a bang however the music just changes to an even more mysterious tune.
EDITING: The editing is cut from the close ups of the girls face to the shapes against the black background to seem like its the inside of her eye. This gives the impression as if thought we are being given an insight to her. Reference to the saying the doors to someone soul is their eyes. The shot is portrayed by using the headroom shot them the shape circling her pupil.
Vertigo fits the thriller convention by using such abrupt and sudden close ups also the backing track is very typical of the genre. It is typical because it builds up the suspense and is very deep and vibrant the kind of music you would be likely to flinch to.
Se7en
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